So, you’ve got a camera, a script, a passionate crew, and dreams of bringing your story to life. Sounds exciting, right? But here’s the truth: filmmaking is risky business. Whether you’re shooting on a tight budget or with a modest indie fund, accidents, lawsuits, and equipment damage can ruin your production in a heartbeat.
Indie filmmakers often overlook insurance because of cost or time—but skipping it can cost you way more than the premium. If you’re serious about protecting your film, crew, and gear, insurance isn’t just an option—it’s a must.
Let’s break it down:
Insurance can help you sleep better at night and focus on the creative part.
Film production insurance is a custom bundle of policies designed to cover various risks that occur during the making of a film. Think of it like a safety net for your entire production process—pre-production to post.
Unlike general business insurance, film production coverage accounts for things like location shoots, stunt coordination, union/non-union crew, and intellectual property. It’s specifically built for the film industry, with flexible terms for short or long projects.
This is the foundation of any production policy. It protects against third-party claims of bodily injury or property damage. Say someone gets hurt on set or you damage a location—general liability has your back.
Whether you own or rent your gear, this policy covers loss, theft, or damage. From DSLRs to drones, protecting your tools means fewer nightmares and less financial heartbreak.
This one’s especially important if your film includes original scripts, music, logos, or people’s likenesses. E&O protects you from copyright, defamation, and invasion of privacy claims. Many film festivals and distributors require it.
If someone on your crew gets hurt while working, you’re responsible. Workers’ comp covers medical bills and lost wages, and it’s legally required in many states.
Using vehicles to transport gear or people? Whether you rent or own, standard auto insurance won’t cut it. You need commercial coverage to be fully protected.
If you’re shooting on public or private property, this covers damages to the property or liability if someone gets hurt. Many venues won’t let you film without it.
This protects against delays or losses if your lead actor can’t perform due to illness, injury, or worse. Essential for high-stakes shoots.
Still relevant for filmmakers using physical film—this covers costs if footage is damaged, lost, or unusable due to processing errors or defects.
Short-term policies are great for one-off projects. They’re cheaper upfront and tailored for quick productions.
Pros:
Cons:
Annual coverage is ideal if you’re planning multiple projects in a year. It offers better rates over time and wider protection.Budgeting for Insurance in Indie Productions
Here’s a ballpark:
Known for offering fast, affordable quotes online. Great for both short films and feature-length productions.
They specialize in indie projects and provide flexible E&O, liability, and equipment insurance.
Perfect for super-short productions or weekend shoots. Their daily insurance plans are a hit.
If gear protection is all you need, these guys are fast and affordable.
Well-known in the creative business space. Offers customizable policies for production companies.
Start with these questions:
Always read the fine print. Look out for exclusions, deductibles, and what counts as a “covered peril.”
Never settle for the first quote. Shop around. Many insurers offer custom indie packages.
Here’s your pre-shoot checklist:
✔ General Liability
✔ Equipment Coverage
✔ E&O (especially if you’re distributing)
✔ Workers’ Comp
✔ Talent & Location Insurance
✔ Certificates of Insurance (COIs) for venues
A filmmaker once had a rented RED camera stolen from a car. No insurance? They paid $25,000 out of pocket.
Another was sued over unauthorized use of music—E&O insurance saved them from bankruptcy.
Many cities and states require insurance for filming permits. Always check with local film commissions. If you’re paying anyone on set, you likely need workers’ comp by law.
Indie filmmaking is all about passion and hustle—but don’t let one accident shut your production down. Having the right insurance means your story can go from script to screen, safely and securely.
Insurance may not be the “sexiest” part of filmmaking—but it’s arguably one of the most essential. Whether you’re shooting a no-budget short or a crowdfunded docu-series, having solid insurance is like having a reliable co-producer: it quietly handles the chaos in the background.
Yes! Many schools require at least basic liability insurance, especially for off-campus shoots.
Short-term general liability from providers like Thimble or Film Emporium starts around $150–$300.
Absolutely. Just make sure to list the gear and value accurately when purchasing the policy.
Yes, most festivals and distributors require E&O for legal protection—especially if you win or get picked up.
If you have workers’ comp, it’ll cover their medical bills and wages. Without it? You’re liable.